|
|
WILDLIFE SANCTUARY
HELP US HELP THEM!

We own a beautiful Wildlife
Sanctuary that is State Protected. Over the past 33 years we have
maintained this wildlife park to better the water fowl population. In
doing so, we now have one of the largest Wood Duck populations in Colorado.
We also see a great number of other
wildlife in the area and keep the area safe for their well being. This
includes: Deer, Bear, and other wild friends.

Over the past few years, state help
in the form of community service was dropped for this sanctuary due to the
dishonesty of some abusing the system. Unfortunately, we have had to cut
back in order to keep the park maintained. In turn, we have had to limit
our funding that goes into the park each year due to the high expenses in
maintaining the park.

We are asking for donations to help
get the private sanctuary back to where it used to be. It will take a lot
of work, but every little bit helps! Most of the donations we are
receiving will go to maintenance.
Hopefully, we can generate enough donations to improve the area over the coming
year.
Please help us keep this natural
private park flourishing by donating today. We are accepting Donations via
Paypal. (All major Credit Cards Accepted) To donate, click the link below. Donations are not tax
deductible, but know that each donation helps keep our wildlife flourishing!!!
|
|
PRESS RELEASES |
Gear Up...

Rick's first Editorial Column, almost 4 decades ago
Click on the Thumbnail above to read the article
|

America's Flyways
Click Here to Read
Rick's story of the Final Revenue flight of the DC-6 Published in the
April Edition of Americas Flyway's
|
CAHS:
Stories, Sentiment Define Colorado Aviation Historical Society Class of ’08
Hamilton
|
|
Opinion: Gazette Telegraph, December 3, 2008 |
Return Migration: December 5, 2008 |
|
America's Flyways |
Dreams of
Flight:
|
Washington Post |
Gazette Telegraph
|
USAFA Information
Board |
|
BookofJoe |
More Press Releases |
Airport
Journals |
The Seattle Times Living on a Jet Plane |
Images of Colorado Springs |
|
Living Legends of Aviation Morgan Freeman/Flown West

Billie & Morgan Freeman at the Living Legends
Party. |
|
December 3, 2008
TAKING TO THE SKIES
Reasons abound in business for taking one's own plane
For the Democrats to slam the CEOs of the Big Three American
automakers for flying to Washington in private jets is proof of elected
leadership and big government having no idea of the benefits of
corporate aviation ("Big
executive welfare slobs," Our View, Nov. 28).
All the Fortune 500 corporations utilize private jets for
transportation; to single out and indict corporate aviation is absurd.
Calling the auto industry leaders to fly commercial is ridiculous, too.
An aviation asset in American industry is all about application of
the leading edge of science. The corporate jet is far from a perk, but
an absolute necessity in today's fast-moving world. These jets are
simply scientific assets. They are justified in one sense so the
overpaid idiots in the ivory towers can work enroute, as well as travel
on a productive schedule.
Please do not single out corporate aviation as a villain. Private jet
equipment is a great asset. Flying and corporate aviation in all aspects
of American business is no longer regarded as the "corporate chariot"
that aircraft were referred to by the media in the early 1950s. What is
truly needed now, more than ever, is total accountability.
Rick Broome, Colorado Springs
|
|
May 2008 Cover Story: America's Flyways
United Air Lines
Line Maintenance at LAX
Story by Rick Broome
Nothing ever tasted as
good as the airline coffee that poured nonstop for our United Air Lines
crew of flight line mechanics at LAX. The old timers had their own
private mugs, a status symbol of seniority. For new hires there was an
assortment of old mugs. I selected an old black job that had the
original United shield from the DC-6 era. (United Air Lines later
changed their trade style to United Airlines, as did Delta, Continental
and others.)
I cannot remember life without airplanes. At fourteen I moved to Denver
to live with my aunt and uncle and was soon discovered by two of my
childhood mentors. They were veteran United pilots; both were destined
for fame. Elrey B. Jeppesen and United Training Captain Ed Mack Miller
took an almost parental interest in me. Through their wonderful patience
I received a priceless education in the world of airline operations. A
few years later my employment as an airline mechanic with United Air
Lines at LAX was planned as a stepping stone to the cockpit.
I lived and breathed aviation, and was encouraged to pursue my childhood
flying passions. Stories of flying the line in the Boeing Model 80 and
247 came from Jepp. He showed me his original landmark notebooks which
evolved into the Jepp Manual. He had dozens of file cabinets — full of
his memoirs — in the basement of his home in Cherry Hills. Jepp did not
hold back, neither did Ed Miller, who was one of the funniest guys I
ever knew. Just to see him grinning could make me giggle.
Ed and his wife Cathy had a houseful of children. Eleven kids shared
space while Ed played and flew jets with United and the Colorado Air
National Guard. Cathy did the lion’s share of raising the kids. When Ed
took me under his broad wings it was noted around the Denver flying
community that the Miller family had rounded out to an even dozen. Ed
was also an author of many dozens of aviation magazine stories and
several books about flying, and he had been a contributing editor on the
staff of Flying Magazine for many years.
In 1966 Ed introduced me to another famous pilot and author, Braniff
Airways Captain Len Morgan who was then flying 707s on the “B Line” out
of Dallas. Len and his family also wrote and published the popular
Famous Aircraft series of books. Ten years later Len began writing his
Flying Magazine monthly column “Vectors”. His stories were enjoyed by
millions of aviators and enthusiasts for over twenty years.
My
opportunity to turn wrenches for United at LAX was a highly guided
affair. Strings were pulled from somewhere high up at United to even
permit my employment interview for a job as an A & P. In the first
place, United maintenance (LAXMM) was not hiring. In the second place
they did not employ mechanics without prior experience. The powers that
be recommended I apply for a job with Flying Tigers. I would gain
valuable experience working on their Boeing 707, DC-8-63, and Canadair
CL-44 fleet. It was fun and I even worked on one of Tigers’ venerable
old Lockheed L-1049H Connies.
The brief time I spent at Tigers was an amazing experience. I even
worked on the same Boeing 707-349C — registered N324F — which was the
star of the movie “Airport” two years later. After working as a mechanic
for Flying Tigers for 89 days — one day short of the day I would be
required to join their union — I moved my toolbox over to the United
hangars at the east end of the field. (This was a deliberately planned
move, having become an experienced A&P I was nominally eligible to join
United.)
As a new hire with United a few days later I went through orientation
and was assigned my official UAL IBM File Number. Company file numbers
were also like seniority markers, and never reissued. When I got my
employee number, 8620 in 1968, it was noteworthy because at that time a
typical new hire — in any department — was issued a file number in the
60,000 range.
Company veterans figured I was probably the grandson of an early owner,
management, or pilot employee. I didn’t truly realize the significance
of this honor until years later. Captain Miller cautioned me before my
first day on the job with United saying, “Keep your mouth shut about
your career goals and aviation experience! If the word gets out that you
will soon be a pilot you will be scorned and an outcast. Some of these
guys hate pilots! Keep your dreams and goals to yourself or bad things
could happen and no one will teach you a thing!” Solid wisdom always
came from Ed Mack Miller. He also cautioned, “You have a rare gift of
enthusiasm. Never let anyone steal it” He was totally correct.
Ed
Mack arranged for me to fly jump seat when United qualified the initial
cadre of Braniff crews. I also logged some legal Boeing 747-122 flight
time with Captain Morgan on that training flight. It was on November 7,
1970 when Len traded his four stripes, and left seat — as a Boeing 707
international captain — for the right seat flying the Boeing 747. As a
copilot his seniority was good enough to be number one on the list of
Braniff crews soon to take the controls of “Big Orange.” Braniff paid
United a handsome sum for their initial crew rating rides aboard N4713U.
Ed Mack had been their training captain. Another friend Captain Dick
Boland issued the FAA Type Ratings.
A couple months had passed since I logged time in that brand new 747. It
had been unusually quiet at LAX for several hours. Nothing was moving
when my pal Gary Ruble and I prepared a domestic DC-8 for towing to the
hangar area. The jet only had one write-up as we hooked up the tug at
United’s terminal gate number 77. We were in no rush to tow N8019U off
the gate.
The fog was as thick as we had ever seen at LAX. After we got the tug
hooked up we agreed to take the journey down to United’s maintenance
hangar and parking area an inch at a time. I climbed the stairs, closed
the cabin door, and assumed my position in the left seat of the Douglas
jetliner.
My job was to ride the brakes and turn the nose wheel steering tiller in
the direction of the turns. With hydraulic pressure supplied by the
auxiliary pump this movement of the tiller allowed the rear section of
the main gear bogies to swivel during the turns. It was a feature unique
to the DC-8 and designed to avoid scrubbing the tires on the heavy
airliner.
Gary and I exchanged greetings on the intercom and I dialed up LAX
ground control to announce our intentions. We were cleared for the tow
and would travel a couple miles east to our old wooden hangar. We slowly
brought her off the gate. I made sure the red cockpit lighting was
perfect for my desires. Gary and fellow mechanics Mike O’Keefe and Harry
Koskela knew that my number was up. This was to be my final job as a
line maintenance mechanic at LAXMM. I was finally headed to Denver for
training as a Boeing 727 flight engineer.
The tow took almost thirty minutes because of the heavy fog. Another
responsibility of mine was to turn on the landing lights as we
approached runway turnoffs. This caused a huge reflection off the fog
bank. Gary told me that the lights were blinding him so we agreed to
leave the landing lights off since we were the only thing moving at
fogbound LAX.
Gary and I secured the DC-8 on Spot Nineteen for overnight parking and
service. The nose pointed toward our hangar and the tail hung out over
the fence that bordered the east-west service road next to the main
taxiway. We took a break and talked about the future. Although we were
still the new kids at LAXMM, we had learned a lot from those old
“mossback mechanics” we worked with at LAXMM.
We
both knew almost all of the good guys who worked the day shift, swings,
and mids. Those true airline enthusiasts — who never lost their love of
work — would share stories about the good old days at United. Some were
cold-hearted though, they kept to themselves and never bothered
themselves with the young kids who were working the line with them.
When Gary and I visited recently we agreed that we had never imagined
that we would someday be the old guys. I don’t feel any different today
than I did on that foggy night at LAX. We were a very proud crew of
mechanics back then. We signed our names and file numbers on every job
we did. We truly enjoyed — and experienced the most fun — when we were
assigned to work the terminal area gates. That was where the action was!
And we were a team that did our best to keep United number one in the
airline industry.
We visited about the steady stream of “California Commuter” Boeing 727s
that flew the coastal trips. They kept us on our toes! The pilots could
take a full load out of LAX, zoom to altitude, and put the jet on the
Barber Pole. (The three-holer was so clean it would do .88 mach!) The
flight time to San Francisco only took about thirty-five minutes. After
a thirty-minute turn, they would bring another full load back to LAX.
Often we would work the same jets and crews for an entire shift.
Intra-state airline competitor PSA would literally drag race United on
every trip. The FAA took note when PSA busted speed restrictions below
ten thousand feet.

Gary and I sat on the tug after we parked the DC-8 on that foggy night
in 1971. We gazed into the fog, looking south across the field toward
North American Aviation’s giant manufacturing facility.
Los Angeles International was still closed. There was an ethereal
silence as we talked about the old guys — and figured that we would stay
young forever.
Off in the distance we heard the unmistakable whine of four JT-3D
turbofan engines approaching.
We looked at each other and shrugged in wonder as the TWA
Intercontinental Boeing 707-331 taxied past us heading toward runway
25R. The TWA twin-globe logo was barely visible as the heavy Boeing
passed our position. We heard him make a 180-degree turn and then
fast-taxi a couple thousand feet forward on the runway. “What in the
world is TWA up to tonight?” In the thick fog we couldn’t see our hangar
and it was less than 200 feet away!
We watched as the Boeing made another 180-degree turn on the runway and
stopped, facing back toward the runway threshold. The four mighty
Pratt’s came up to near takeoff power! It was certainly something we had
never seen before. A moment later we heard the fans spool down and
watched the Boeing back-taxi to the threshold of 25 Right again. We
could hear the airliner as it made another quick 180-degree turn. The
heavy Intercontinental Boeing 707 was again rolling on the runway, this
time with full take-off power!
We figured out that this airliner was no doubt commanded by a veteran
who was a very sharp skipper. He knew where the RVR measurement devices
were located. By “taking a look” he had beat the system. By artfully
using the jet blast from the mighty JT-3D, engines disperse enough fog
to change the RVR and make a legal takeoff!
Soon a conga line of international carriers were heading for the runway.
The word was out; LAX was open for business again. We watched a Pan Am
707-321 and then a beautiful BOAC VC-10 as they took the active next.
They rolled down the runway with a thunderous sound that no longer
exists in these days of Stage III compliance. Soon they were followed by
a couple more international carriers who had been on gate hold for
hours. The rare silence at LAX was gone — LAX was bustling with the
noise of normal airline activities. It was time to go back to work and
prepare the United fleet for another day’s flying.
My
flight officer training class with United was postponed, and later
cancelled, since during the 1971 recession United had furloughed 526
line pilots. My full-time career as an aviation artist blossomed while I
waited for recall. When the recall finally came I decided that staying
home and creating paintings of aviation history was a better option than
commuting from Colorado Springs to a far distant domicile to fly jets.
It was a tough decision and I got a lot of criticism from pilots who
envied my cockpit chances and opportunities.
As I reflect back on my love of flying, aviation maintenance, and
aeronautical engineering, I am reminded of all of the wonderful folks in
the industry that helped me and gave me vectors to a dream come true. In
the end my childhood dream of flying for an airline never quite
happened. My entire airline career was pretty much over before it had
begun. Years later I came to understand that the feelings we had as part
of the old “United Family” had long ago disappeared. They were replaced
with the fear and intimidation so common in today’s air carriers.
|
|

Rick & Billie with United Airlines Founders
Daughter Pat Patterson Dudley
BY WAYNE HEILMAN
THE GAZETTE
When William "Pat" Patterson retired as chief executive of United
Airlines in 1966, he declined a multimillion-dollar "golden parachute"
payment and instead took his pension like any other employee, his
daughter told United retirees in Colorado Springs last week.
"He told me that ‘I am going to take exactly my share because I can't
take millions when I signed the papers'" creating United's pension
plan, said Patricia Patterson Dudley, daughter of the late founder and
longtime chief executive. "He never referred to the people who worked
at United as employees. He called them his United family. "
That atmosphere disappeared from the airline industry more than a
generation ago.
If Glenn Tilton, United's current chief executive, had been fired or
left the carrier by the end of last year, he would have cleared up to
$18 million in salary, benefits, perquisites, stock options and awards
and other related payments, according to the airline's proxy statement
filed with the U.S. Securities and Exchange Commission.
Dudley, 79, told those stories and several others during a picnic
Saturday for about 50 local United retirees sponsored by the
3-month-old Colorado Springs chapter of the Retired United Airlines
Employees Association. The picnic was at aviation artist and former
United mechanic Rick Broome's Broadmoor-area house, which includes
part of a Boeing 727 aircraft in his studio.
Patterson began his business career as a banker and got involved in
the aviation industry by making a loan to a small airline that was
later acquired by Boeing Co. and merged with three others to create
United.
Boeing hired Patterson in 1929 and named him general manager of the
newly created United two years later. He ran the carrier for 35 years,
pioneering the use of flight attendants, pressurized cabins and
autopilot systems.
"We invited her here to share the good times. There are people here
that worked at United during the good times, and they want to share
that," said Chuck Stuller, who retired in 2003 after 40 years in
customer service with the carrier and who organized the chapter. "This
is a healing process for us. We need somebody to talk to and relate to
during this hurting time. As former workers for this company, we still
feel like it is a part of us."
Stuller said United retirees used up to 20 percent of their salaries
to buy company stock as part of the employee stock ownership plan in
the 1990s. The stock was worthless after United sought U.S. Bankruptcy
Court protection in 2002. Employees also agreed to salary and benefit
cuts to get the airline out of bankruptcy and pension payments were
eventually reduced.
Dudley said her father always had a special affection for pilots
because "when he started out, he told them he couldn't afford pay them
and they said they would fly for free to keep the company going. If it
wasn't for the pilots, there wouldn't be a United."
She also described how he always bought Standard Oil gasoline for his
cars because the company kept providing fuel to United at no cost
after Shell Oil had cut off shipments for nonpayment.
Although she had a brief career as a flight attendant with American
Airlines and earned a private pilot's license, Dudley spent most of
her life raising children in Denver and San Francisco from her
marriage with American Airlines executive Jim Kennedy. She now lives
in Mill Valley, Calif., near San Francisco.
Dudley didn't believe she was cut out for a career in aviation. On her
first flight, she and her brother, William Patterson Jr., both got
airsick. She told the Colorado Springs retirees she took flying
lessons only because her father told her he had "thousands of pilots
and he would find me one to fly wherever I wanted to go. Instead I
went to the flying school and when they asked me about my parents, I
told them they were afraid to fly."
Her father learned of her flying lessons when she flew over a barn on
her first solo flight and he recognized his daughter in the cockpit.
She later was told her flight made him turn "white as a sheet."
Dudley said her father wasn't all business. He once postponed a speech
to the U.S. Civil Aeronautics Board in Washington, D.C., so he could
attend an annual father-daughter banquet at her elementary school.
|
March 15, 2007
Rick Broome built a sunroom and studio in the Broadmoor house he shares with his
wife, Billie, around a Boeing 727 airplane. (JERILEE BENNETT, THE GAZETTE)

just plane obsessed
By CAROL MCGRAW THE GAZETTE
March 15, 2007 - 12:52AM
So you think you’ve got decorating problems? Next time you whine about it, think
about Billie Broome. Her husband, Rick, added the better part of a Boeing 727 to
their house, then built a sunroom around it.
All Billie can say at this point is: “Thank goodness he didn’t bring the entire
plane home.” Only the front section, from the wings forward, graces their
residence — although “graces” hardly describes the looming presence of a
15,800-pound, 50-foot-long, 12.5-footwide, 27.5-foot-tall objet d’art.
Oddly enough, you can’t tell there’s a gargantuan piece of a plane in their
Broadmoor-area home if you’re standing outside. But open a door on the north
side of the house, and you suddenly find yourself walking down the plane’s
aisle, enveloped in a cocoon of the original decor: gray rug on the walls; a
pink, orange and blue mural; more gray industrial rug on the floor. You can also
board the plane via a catwalk from the kitchen, or from gleaming rollaway air
stairs near Billie’s Early American couch in the sunroom.
The tableau includes something never seen these days on a real flight — a
cockpit with the door wide open.
“It feels like home,” says Rick, sitting in the pilot’s seat of the fully
equipped cockpit. “It’s in my will that some of my ashes will be scattered in
here.”
It’s a dream come true for Rick — literally.
“I first saw the idea in a dream when I was about 16,” says Rick, who had that
same dream often over the years.
What do you expect from an airplane fanatic? He likes to point out that he was
born in Pueblo on Oct. 13, 1946 — “a year and one day before test pilot and
astronaut Chuck Yeager broke the sound barrier.” He made headlines at age 16
when he soloed in nine types of planes. He has about 2,200 flying hours on 41
civilian planes and is an inductee in the Colorado Aviation Hall of Fame.
In college, he worked as an airline mechanic and was accepted as a flightofficer
candidate in 1971. When the class was canceled, he fell back on a longtime
hobby, painting, and that became his livelihood. An internationally known
painter of aviation scenes, he creates an annual painting for the Air Force
Academy’s graduating class and has donated more than 60 originals to the school.
But knowing how to paint a plane isn’t as much fun as having a real one in your
home. So he searched two years for an airliner. At a movie lot, his broker found
one that had actually flown the friendly skies of United before being put out to
pasture as a prop in movies and TV, including episodes of “24” and an A&E
documentary about United Flight 93.
When the 727 arrived by truck at the Broomes’ home in 2005, a massive crane had
to lift the fuselage 100 feet in the air and set it down on three specially made
girders behind the house. In 14 months, the house grew from 4,000 square feet to
6,500 square feet with the addition of the new sunroom built around the plane.
If Rick faced a challenge finding the plane and getting it to the house, Billie
has been equally challenged trying to decorate a room around it. When she was
hunting for a rug for the new sunroom, she had a hard time getting the color
just right.
“No one knew what ‘United Airlines Blue’ was,” she says. She had to lug dozens
of samples home until she found the right one — that nondescript airline grayish
blue.
She had the wall behind the plane painted a sort of Wild Blue Yonder dark blue,
but says it’s just not right. So she is looking at paint samples again.
One feature in the sunroom that complements the airplane is Rick’s studio work
table, which he designed to look like a United ticket counter.
Really, though, the sunroom decor isn’t what this space is all about. It’s the
plane, and Rick’s goal is to log 50,000 hours in it over the next 10 years. It
shouldn’t take him long: He hunkers down in his 727 to get ideas for his
paintings, sometimes pray or take an occasional nap.
He thinks it’s the only airplane that’s been incorporated into a house. A
California woman is planning an airplane home, but it isn’t finished. Scattered
around the country are a few planes in museums and restaurants, including one at
Solo’s in Colorado Springs, where you can dine in a Boeing KC-97. But in Rick’s
research, he hasn’t found anyone who knows of other planes in a home. It’s a
“historical piece of aviation sculpture,” he says.
He estimates that the airline project has cost more than $100,000 so far, but
he’s not done yet. He has many other plans for the room, too many to mention.
If that’s not enough to keep him busy, he can always fill his time with another
hobby. The Broomes’ house backs up to a lakelike reservoir, and Rick has been
licensed as a wildlife park caretaker for wild ducks. Every year he feeds 12,000
pounds of cracked corn to the birds.
“He likes anything that flies,” Billie says.
CONTACT THE WRITER: 636-0371 or carol.mcgraw@gazette.com
Aircraft can boast comforts of a house
To gussy up his airplane and sunroom, Rick Broome:
- Hooked up the plane’s first-class lavatory.
- Brought in heat and air conditioning from the home furnace. (When he turns it
on, it gives off that familiar whooshing sound you hear on a plane.)
- Put in a couple of old, comfy chairs where the passenger seats used to be.
- Used one of the plane’s 16-foot wing tips with a flashing red light as a
chandelier in the sunroom.
- Plans to install a roll-down screen in front of the cockpit windows and fancy
equipment to simulate flying. It will be attached to the aircraft wiring system
and flight controls so he can have the virtual thrill of a real flight.
- Will paint the floor beneath the plane so that at night, when he sits in the
cockpit and looks down, it will look like a lighted city from 30,000 feet in the
air. There will be stars painted on the ceiling.

November 01, 2005
HIGH ART
By BILL REED THE GAZETTE
Aviation artist Rick Broome loves airplanes so much he decided to attach one
to his house.
The hulking mass of a retired 727 airliner hovered over his Broadmoor-area
cul-de-sac Monday morning. A massive crane, capable of lifting 600,000 pounds,
hoisted the fuselage of the jet (from nose through the first-class section)
above Broome’s home and set it down on metal girders behind the house.
Neighbors gathered in a tight knot, all looking skyward. Broome ran around like
a kid with a sugar rush. Passing cars slowed as their drivers rubbernecked.
“This works better than speed bumps,” said Billie Broome, Rick’s wife.
Neighbors in this upscale ’hood decided the Halloween project was a treat rather
than a trick.
“I think it’s absolutely fantastic, just wonderful,” said nextdoor neighbor Dick
Foster, who is only a few paces from the unusual addition. “He’s been planning
this for years. It’s kind of a childhood dream of his.”
Foster and Broome stood together watching the airplane swing above their homes.
Foster said: “Well, Richard, it’s finally happening.”
Broome, who had long dreamed of having an airplane attached to his art studio,
hunted for a year before he found an airliner for sale. What he found was a
United Airlines Boeing 727. It had been grounded after Sept. 11 slowed the
airline industry, and was bought for use in a TV movie called “Flight 93.” He
bought the airplane’s fuselage after its turn on the screen.
Broome began drawing airplanes when he was a kid and traded his artwork for
flying time as a teenager. He worked as an airplane mechanic to pay for college.
His dream was to fly jets for United Airlines, and he was accepted as a flight
officer candidate in 1971, but when he was furloughed during his flight
training, he concentrated on his aviation art.
Broome was so successful that he turned down United when they offered to bring
him back, and he doesn’t regret the decision, three decades and 2,000
commissions later.
He is well-known in the aviation world, and in 1988 was inducted into the
Colorado Aviation Hall of Fame. His original paintings sell for thousands of
dollars.
Broome specializes in capturing every detail of the airplanes he paints.
He’s created the Air Force Academy’s class paintings since 1974. He’s donated 61
originals to the institution, a collection valued at $2.5 million.
Broome did not divulge the cost of the airplane project, but the cockpit seats
cost him $12,500. The 727 originally cost United $70 million, when adjusted for
inflation.
The galley door of the airplane will open into his old cramped studio (where
Colin Powell’s blood still resides on a light fixture he bumped into while
watching Broome paint several years ago). The airplane will be enclosed in glass
paneling, and the resulting sunroom will be Broome’s new studio — with glass
walls, copious light and a jet to inspire him.
“I don’t think people dream as much as they used to,” Broome said. “It’s OK to
have dreams, even big ones.”
|